While Republicans were noisily reminding us what they think of women, they were quietly reminding us what they think of science.
The Environmental Protection Agency is preparing to merge two of its science offices: the Office of Science Policy with the Office of Science Advisor. The stated purpose of the merging is “in order to reduce redundancies.” Critics say the real purpose is to mute the voice of science.
The Office of Science Advisor manages scientific standards throughout the agency and is tasked with providing unbiased advice to the EPA administrator. This action will reduce its role in the agency, putting it further down in the bureaucracy’s pecking order.
“By dissolving the science adviser’s office and putting it several layers down in ORD [Office of Research and Development], that greatly accelerates the decay of science advice within the EPA administrator’s office,” said Michael Halpern, deputy director of the Center for Science and Democracy at the Union of Concerned Scientists. “That kind of coordination is much more difficult to do if they’re buried down inside an office.”
“I don’t like country music, but I don’t mean to denigrate those who do. And for the people who like country music, denigrate means ‘put down’.” – Bob Newhart
In spite of Mr. Newhart, Country Music is more popular than ever.
I never liked country music, or I thought I didn’t. Eventually I came to the realization that I had been listening to country music all my life. Much of the music I liked was derivative of the music I thought I hated, or rock and roll covers of straight country songs. The Beatles, for example, recorded several Buck Owens and Carl Perkins songs. Rock & Roll Hall of Fame inductees the Everly Brothers’ roots were deep in country. Elvis Presley combined country with gospel and country blues to initiate the rock-and-roll frenzy. Hank Williams, Jimmie Rodgers, the Carter Family and Bob Wills are among the many whose songs have been interpreted by rock and pop artists.
Even if you don’t know Michael Lewis, you probably are familiar with movies based on his non-fiction books: “Moneyball,” “The Big Short,” “Flashboys,” “The Blind Side,” and others. Lewis is very good at explaining financial esoterica in terms that even I can understand. Lewis’s latest offering, “The Fifth Risk,” an account of the dismantling of the government by the current occupant of the White House. The English newspaper, The Guardian, has published an excerpt focused on Chris Christie and the president-elect’s transition team. Fun anecdote from the book:
Christie had made sure that Trump knew the protocol for his discussions with foreign leaders. The transition team had prepared a document to let him know how these were meant to go. The first few calls were easy – the very first was always with the prime minister of Great Britain – but two dozen calls in you were talking to some kleptocrat and tiptoeing around sensitive security issues. Before any of the calls could be made, however, the president of Egypt called in to the switchboard at Trump Tower and somehow got the operator to put him straight through to Trump. “Trump was like … I love the Bangles! You know that song Walk Like an Egyptian?” recalled one of his advisers on the scene.
I have often thought that if everyone could attend a Neville Brothers show, there would be world peace. Sadly, the group no longer performs. Charles Neville, the Brothers’ spiritual leader, died of cancer in April 2018. Aaron Neville, perhaps the most well-known brother because of his successful solo career and eclectic collaborations with other artists, appeared in Portland billed as the “Aaron Neville Duo,” the other half of the duo being keyboardist Michael Goods. They performed a low-key set of songs, reaching back in time to Nat King Cole, The Drifters, Billy Joel and even the Mickey Mouse Club theme, and including the smash hit “Tell It Like It Is.” (Notably missing was “Over You,” Aaron Neville’s first charting song. Penned by Allen Toussaint, it was a modest hit in 1960, but contains lyrics not likely to be sung in public in the twenty-first century.) A highlight of the evening was “Save the Last Dance for Me,” a number-one hit for The Drifters.
The accolades to Aretha Franklin in numerous obituaries and tributes made note of her early years singing in her father’s church. Ms. Franklin was possibly the most famous of many popular artists who learned their craft in church: Little Richard, The Staple Singers, Sam Cooke and hundreds – literally, hundreds – more. The conflict between the sacred and the secular, has been an undercurrent of many careers. Performers whose formative years were rooted in the black church carried the craft learned there to a wider audience but with a twinge of guilt for taking god’s music and making it profane.
Unfortunately, much of this roots music is lost forever, recorded on vinyl and tape and never digitized.
Ulises Valdez was born in 1969 in Los Cuachalalates, a tiny village in Michoacán, Mexico. At age ten, he quit school and went to Mexico City to work in his cousin’s flea market. Two years later, he went to work cutting sugarcane. At age sixteen, on his third attempt, he crossed the border and joined his brother in Sonoma County. Ulises lied about his age and was hired to prune vines in the Dry Creek Valley.
Meanwhile, the U.S. Congress passed and the President signed the Immigration Reform and Control Act of 1986. The law, referred to as the Reagan Amnesty, gave illegal immigrants the opportunity to become legal residents. Valdez took advantage, obtaining temporary, then, ten years later, permanent resident status. In the interim, he went back to Mexico, married and brought his new wife to Sonoma County.
Valdez progressed from vineyard worker to vineyard manager to partner in a vineyard management company to sole owner of a vineyard management company. In 1996 he became a U.S. citizen.
Over the years Valdez also began leasing and purchasing land and planting vineyards. He supplied premium grapes to high-end wineries. The Valdez businesses employ 100 people and manage more than 1,000 acres of vineyards. In 2004 Ulises Valdez produced the first wines for his own label. Six years later, with 100 acres owned or leased, the Valdez Family Winery opened. His daughter Elizabeth became the winemaker in 2016. Her sister and two brothers also work in the business.
Ulises Valdez died of a heart attack September 12, at age 49, in the midst of harvest frenzy. Sonoma County vintners and longtime clients are showing their respect, supporting the family, helping in the fields, winery and offices.