A Holiday Reminiscence

My Mother’s personal Christmas frenzy began on Christmas Eve, after a house filled with a husband and six children calmed into relative tranquility. She settled herself at the kitchen table with her cigarettes and bottle of Pepsi-Cola and wrapped presents. I suspect she was secretly pleased when the children were grown, or at had at least attained a certain level of maturity, so she could wrap presents with pristine paper, not the wrinkled, leftover scraps. (And so she could decorate the tree to her taste.)

In addition to raising children – I was one of them – Yvonne “Mike” Rothert was a journalist. She became food editor at the Portland Oregonian and was a driving force in the transition from “Women’s” news to serious food writing. She later was assistant editor of the Northwest Sunday supplement, when the newspaper still published a Sunday feature magazine.

One of her published works was a reminiscence of Christmas growing up in depression-era Iowa.

Writer Remembers Rich Memories of Christmas During Depression Days

Yvonne Rothert

Can the plethora of modern toys offered to the gadget-minded children of today possibly be treasured with the love that was lavished long ago on the cloth-bodied “mama” doll dressed by a weary mother, or give as many hours of pleasure as the “jigsaw” puzzles homemade from calendar pictures glued to cardboard and cut with painstaking care by a hard-pressed father?

Christmas in a small Midwestern city in hungry depression days is remembered with tender nostalgia and a late-developing gratitude to parents who were somehow able to create a wealth of family tradition, riches beyond counting, from the least of material things.

It was a time of delightful anticipation, of making crooked potholders from long knobby strings of “spool-knitting” or nearly impregnable pin-cushions tightly stuffed with cotton batting.

There was the glorious trip to the ten-cent store with a carefully hoarded fund of pennies and nickels, to augment a child’s homemade gifts with truly remarkable treasures.

Toys, sparkling jewels, perfumes as exotic to a child’s untutored senses as the finest from Paris; more household gadgets than mother could ever figure out how to use; glassware and figurines that rivaled the loveliest in the jewelry store down the street – a veritable treasure house of beauty almost too much for one small shopper to encompass. Miraculously, a penny or two always remained to drop in the red kettle on the corner to the tune of the reminding bell. “Christmas dinner for the needy,” the sign said. Though age brought disillusionment, for a few years at least those last pennies put turkey on the table for the red-eyed, blue-nosed Santas who stamped their freezing feet at every street corner, faded costumes sagging on gaunt frames as their hand-bells tolled the constant plea.

What magic to join the crowds of Christmas shoppers hurrying homeward in the late afternoon, the street lights already glowing against the early winter darkness, each with a halo of its own light reflected on the snowflakes in the surrounding air.

Away from the busy stores, the snow-muted street and sidewalks were eerie white canyons between the head-high walls of shoveled snow.

Home to the warmth and sweet aromas of Mother’s traditional Scandinavian Christmas goodies, the julkaka, the fattigmand bakkelse and the spritz, to plead for “just one” before they were stored away, like the jewels that they were, until Christmas Eve.

Then the night of nights, when Mother was sure to recite:

“Hang up the baby’s stocking;

Be sure you don’t forget,

For the dear little dimpled darling

Has never seen Christmas yet”

And Father would read “Twas the night before Christmas,” with the children hanging on every familiar word and joining in the most-loved parts.

Stockings were hung as recommended, by the chimney with care, not specially decorated Christmas whimsies, but freshly laundered everyday ones, those tan ribbed affairs that were pulled up each morning over the lumps and bumps of hated long underwear.

“Visions of sugarplums” really danced for small dreamers snuggled under heaps of hand-tied comforters, while Jack Frost touched up his own crystalline window decorations.

The first sound to break the stillness of Christmas morning was metallic clanking through all the warm air pipes as Father “shook down” the furnace, carefully banked the night before. Somehow he always managed to be up before the earliest stocking-seeker, to shovel in some coal and let the house begin to creak through its morning battle against the deep cold of the night.

The established rite was for everyone to pile on Mother and Father’s bed to explore the stockings’ contents, exclaiming over what Santa left in an unspoken agreement not to disillusion still-believing parents.

Lumps and bumps filled the stockings again, more grotesque and infinitely more exciting than their everyday variety. The first big bulge was the apple, the long thin space in the center the banana, and the rounded heel held the orange. In the toe, always, was a handful of shiny, never-used-before pennies. In between were the hard candies that always stuck together, peppermints and fruits mingling in a special Christmas flavor, and assorted tiny treasures. Santa must have shopped the ten-cent store, too.

Then began the interminable wait as relatives gathered for the tree itself. Santa confined himself to stuffing stockings; all other gifts were under the tree, to be peeked at but not poked until everyone was present.

Breakfast oatmeal, choked down on other winter mornings, was impossible on Christmas, a fact which Mother never seemed to grasp fully as she tried to make it festive with raisins and brown sugar.

Uncle Max and Aunt Margaret were the first to arrive, merry and round, Mr. and Mrs. Claus in mufti. Childless themselves, they spent their love on us and any other available children. In traditional red, Uncle Max was yearly the jolliest of Santas for the American Legion’s children’s party.

Grandma and Grandpa were always a little late, because they stopped to pick up Great-Aunt Cora. Each year she had a new sauce to try for the plum pudding, one that could only be made on Christmas morning. As we waited we could imagine her presiding over the saucepot, stately and imperious. She dominated the family with a steely will which could be penetrated only by children, who found the chinks in the armor without trying.

For some years Great-Grandfather Hicks was there, he of the white goatee and New England ancestors. After the confusion of the great gift-opening, he would grudgingly join in the parlor games which were part of every family celebration. “Ridiculous,” he would mutter as a child approached with the old “Button, button, who’s got the button.” When it came to “Animal, Vegetable or Mineral,” though, he sat on the edge of his chair and outdid us all.

Who will be remembered by the next generation? Will our Christmas today be recalled with the same warm feelings? The answer lies in our hearts.

Dreaming of a White Christmas

drifters-white-christmasRCA Victor records released Elvis’ Christmas Album on October 15, 1957. (Way back then, records were released; today they’re dropped.) Time magazine called the album “a crime against Christmas . . . all of which should guarantee it’ll be on the top ten overnight.” Time was right; the album spent four weeks at number one on Billboard’s LP chart. It is the largest-selling Christmas album of all time. Al Priddy, disc jockey at Portland’s KEX radio was fired on December 7th of that year for playing “White Christmas” on the air.

holidayinnonesheetIrving Berlin composed “White Christmas” for the 1942 movie “Holiday Inn.” Bing Crosby’s crooning of the song was such a hit that a movie built around it was released for the 1954 Christmas season. The story goes that Berlin called Presley’s rendition of the song a “…profane parody of his cherished yuletide standard,” and put pressure on radio stations not to play it.

Elvis’ Christmas Album begins with the King’s version of elvisxmasLeiber & Stoller’s lascivious “Santa Claus Is Back in Town.” Side A, showcasing the secular side of Christmas, also included “Blue Christmas,” which has since become a standard. Side B featured sacred songs, such as “Take My Hand, Precious Lord” and “O Little Town of Bethlehem.”

Elvis copied The Drifters’ interpretation of “White Christmas,” which reached number three on Billboard’s Rhythm and Blues chart three years earlier. Presley was a fan of The Drifters and their lead singer Clyde McPhatter, who later went on to a solo career. He covered several Drifters’ songs. The Drifters weren’t white, so their desecration of “White Christmas” was not perceived as a threat in the white world. Their version of the song came into the mainstream when it was featured in the 1990 film “Home Alone.”

 

 

Muddling Through Somehow

have1It’s the Christmas season but Esther Smith’s heart is not filled with joy. Her father has announced that he’s being relocated to New York for his job and the family will be moving there. The move will separate Esther from John, the boy she loves.

Esther, played by Judy Garland in the 1944 film Meet Me in St. Louis, is the second of four daughters in the Smith family. The year is 1903. Esther’s brother and three sisters are unhappy about leaving behind their school friends and romantic partners. To make things worse, they will miss the greatly-anticipated world’s fair the following year.

On Christmas Eve, Esther soothes her little sister Tootie (Margaret O’Brien), singing to her Have Yourself a Merry Little Christmas. The song has since become an inescapable part of the holiday background. The music-licensing company, ASCAP, once named it the third most-performed Christmas tune.

Judy Garland, her co-star Tom Drake and director Vincente Minnelli all thought the song as originally written was too depressing and so asked the lyricist Hugh Martin to make some changes. He came back with a more upbeat version. The line “It may be your last / Next year we may all be living in the past” became “Let your heart be light / Next year all our troubles will be out of sight.”

Thirteen years later, Frank Sinatra was recording a Christmas album, have2A Jolly Christmas. He went back to Martin asking him to “jolly up” the line “Until then we’ll have to muddle through somehow.” The composer changed it to “Hang a shining star upon the highest bough.” This became the standard version. Later, Ms. Garland sang these revised lyrics on The Judy Garland Show Christmas Special.

The list of artists who have recorded this song is almost endless, usually with the “shining star” lyric. One, Chris Isaak, recorded both versions of that verse.

And the Smith family? When Mr. Smith realized how unhappy his family was, he changed his plans, cancelling the move to New York. They all got to go to the 1904 St. Louis World’s Fair.

Why Facts Don’t Matter

Eyewitness testimony has been the bedrock of our justice system. Studies have repeatedly shown, though, how unreliable our recollections can be. False memories can be slipped into our memory by third parties. Or we see what we expected to see and our mind fills in missing detail and that becomes our memory. We tend to re-tell a story according to the listener. Defense attorneys know this. With retelling, we become more certain that an erroneous recollection is true.

Researchers at Stanford University had volunteers review suicide notes and decide which were real and which were made up. They were informed of their scores; some were told they were correct in almost every instance, others that they were wrong on most of their choices. Except all the scores were fictitious and had no relation to the subjects’ actual performance. Even after being informed their scores were bogus, subjects originally given high scores still persisted in believing they were exceptionally perceptive, much better than average in determining what was true.

Which brings us to Fox News and its loyal viewers…

Right-wingers have been frothing about the nefarious deal Hillary “Lock her up!” Clinton made, selling U.S. uranium to Russia in exchange for large contributions to the Clinton Foundation. Fox News has been relentless in promoting the story, feeding the outrage against Mrs. Clinton. But then Fox talking head Shepard Smith went on the air and, point by point, took apart the story. He dispassionately pointed out that Clinton was not Secretary of State when the sale occurred, that the State Department was only one of nine Federal agencies involved, that the company, Uranium One, was mostly Canadian owned, that none of the uranium in question would leave the United States. Et cetera.

Fox’s audience was not interested in facts. They turned their outrage against Shep Smith.

“I feel you are actually CNN (fake news) when Shep Smith is on.”

“Get rid of him. He is a shill for Hillary as most gays are. Does not have the integrity to be on Fox.”

“Shep Smith needs to be fired for his biased reporting!!!!”

… and on and on.

Shepard Smith should stay with Fox News. Viewers need to be confronted with documented information, even if only rarely.

 

Of course, it’s hard to refute Texas Rep. Louie Gohmert’s chart showing Uranium One conspiracy.

Sonoma County Artists Respond

Tom Swearingen

Sonoma County artist Tom Swearingen knows what he’ll be doing for the next year: painting roses. Since retiring from the Santa Rosa police department several years ago, Tom has become known for his “Playful Realism” paintings. His “Photorealism” work includes a series of police badges, trains, and also many visual puns. In the aftermath of the devastating fires that left many homeless, he has committed to painting a “Rose of Resilience” each day for a year. For $95, a patron of the arts could commission a rose and specify the flower and background colors. All $95 goes to the North Bay Fire Relief Fund. Village Art Supply has donated canvases for the project. He quickly received orders for all 365 paintings, raising $34,540.

Brigitte Laurent & Patrick Amiot

A few miles west, in the town of Sebastopol, Patrick Amiot and Brigitte Laurent, have used their neighbors’ yards for installations of their self-described “Junk Art.” For years their whimsical sculptures have delighted passers-by on Florence Avenue. Amiot’s work can also be seen in public places around the area. One of their major works, a full-sized carousel, to honor immigrants, was unveiled last year on Canada Day in Markham, Ontario.

The husband-and-wife team decided to create a monument honoring first responders to the recent fires. Built with fire extinguishers, fuel canisters, woodstove parts and other detritus, the twelve-foot-high firefighter stands adjacent to the SMART commuter light rail in downtown Santa Rosa.

Sequence 01.mov from Eric McIntyre on Vimeo.